Future Texts
Future Texts
Beatriz Cortez
Chitra Ganesh
Cauleen Smith
Stacy Lynn Waddell
Saya Woolfolk
September 25 - December 18, 2020
Curated by Candice Madey
TEN AT SEVEN’s second exhibition, FUTURE TEXTS, is inspired by sociologist Alondra Nelson’s eponymously titled essay exploring the social and racial biases embedded in the systems of science and technology. Written in 2002, around the advent of Web 2.0, Nelson’s essay critiques theoretical frameworks of a networked world—such as Marshall McLuhan’s concept of the “global village” and oversimplified views of the “digital divide”—which she believes present technological progress as oppositional to black culture. She further probes the racially coded visual cues of science fiction, futurism, and so-called primitivism, and examines how these narratives relate to systematic racism inscribed in broader American history and culture.
Nelson advocates for a new futurism in which more diverse voices express their histories and reclaim programmatic power of their technologies and their tools. She finds inspiration in Ishmael Reed’s 1972 novel Mumbo Jumbo, in which Reed questions who owns the right to determine the knowledge systems of the future, insisting that, “We will make our own future Text.”
In this spirit, FUTURE TEXTS explores notions of progress and technology as defined by artists and their processes. The exhibiting artists are equally grounded in their unique cultural traditions, proposing personal visions of the future that redress history and expose and revoke the cultural and gendered biases of outmoded techno-narratives.
Watch FUTURE TEXTS: Imagining Utopia in a Time of Crisis and Change, a conversation moderated by Dr. Saisha Grayson, Curator, Smithsonian American Art Museum.
Please contact us with inquiries.
A publication will accompany the exhibition.
